Before and After Restorations



1937 ST20



1937 Mme Alexander
Princess Elizabeth



70's Vogue Babies - replica trousers and arm reattached and vinyl stain removal


1919 Kley & Hahn Family Heirloom Doll




Turn of the century Tin Head



Working on eye reset
and arm repair.

1915 E.I. Horsman Co.

This baby suffered a poor amateur cover up repaint and her arms were disintegrating down to the base compo mold. Since she is in our own personal collection, we are working on a full arm repair and face repaint, cryer rebuild and using her for baby sculpting inspiration for future paperclay projects of our own design.

1915 Horsman's New Arms


Removing broken compo prior to hand sculpting and sanding new finish layer of compo


After head repaint

We do not airbrush as we prefer more of a vintage handmade toy look.

 
 

Our Repair Philosophy

We have heard many conflicting stories about repair and restoration "devaluing" a doll or "repair will raise the doll's value to above auction price." With collector's now commonly using on-line markets to evaluate doll pricing or scammers using the medium to dupe less sophisticated collectors, this has made it difficult for doll owners to decide what to do with their vintage doll. Most are understandably torn between wanting them to look beautiful now and retain their value for their grandchildren.

The answer is to do what feels right to you. You make your choice based on what feels right to you based on your relationship with the doll.

If you want to play with your doll again, fix her up and play with her. If you want to put her in a glass box as an investment doll and not play with her, do that.

There are three values to keep in mind in relation to your dolls: sentimental, historic, and monetary. You should also keep repair ethics in mind.

Monetary values are what appraisers and antique dealers worry about. Historic values are what museum curators and preservationists worry about. Sentimental values are what the rest of us worry about.

We have to say here that most of our doll jobs have been sentimental jobs with a healthy respect for history and preservation and a quirk of independent creativity based on the materials and accessories we are able to acquire these days. We generally will not undertake a repair job if we feel it might be technically over our heads (e.g. complex mechanical eyes) but we are patient and careful and will talk with you openly about what can and cannot be done. We enjoy handmaking things as they were historically made and we can also make arrangements for outsourcing some work.

Not all repairs will devalue a doll, some repairs and replacements need to be made in order to keep a doll from falling into pieces or somewhat displayable. For early 20th century dolls, most restringing is acceptable, hair arranging and gentle cleaning as well. Any doll from the early 1800's we probably would not be able to handle as they are generally considered museum pieces. Vinyl dolls from the mid-century can be easily cleaned and rewigged with even better synthetic hair these days. There are many fabrics available to make replica clothing. If you choose to go beyond what the doll originally looked like, you are moving into artistically "reborn" dolls and those changes must be declared if you choose to sell the doll.

For very damaged dolls, you do want to make an effort to stop further deterioration and rust. New costumes can be made quite easily that will make your doll worthy of display, just make sure to keep any original outfits or lingerie carefully put away with the doll in acid free paper or cloth (not a plastic bag) even if tattered.

More questions, write to us: Leigh Drake shopkeeper@dollmaker.biz

 

 
 

Doll Restoration

A late 1890's 9" China Head with a beautiful face and moth eaten clothing was sent to us in desperate need of new legs...a common doll house affliction for China Heads. We enthusiastically sculpted, glazed and painted new doll feet using an ultra hard repair clay designed for this task.



The muslin body for the China Head was in dry rot and the sawdust stuffing was seeping out. The owner really wanted her restored to "excellent" condition as a tribute to her mother. Since she was so small, we remade and handsewed the muslin body rather than recovering it, restuffed her using the original sawdust-- which was carefully saved-- and designed a fully detailed Gibson Girl costume in purple silk complete with bustle, petticoat, fichu, corsette, umbrella, hat, purse and knitting basket which is the owner's favorite hobby. She came with an antique folk art grape vine chair, decorated with string and "wax" that was also disintegrating. We carefully rewaxed the chair using a candle which is how it was probably originally made during the period but sealed it with an invisible spray matte sealer to protect it for the future.

Sanding the tiny doll feet took more than an hour but turned out well

China Head's new legs

9" China Head with New Trousseau and Chair

 

Armand Marseille Doll Restoration

 

This turn of the century Armand Marseille was brought in pieces from Winston Salem, NC.  The owner had thrown the doll across the room as a child 80 years ago and the shoulder plate and one arm were broken.  We were able to rebuild most of this doll and made a handmade mohair wig using original wig making techniques.  See the repair process below.

 

Crazy for Crissy

Crissy is what we played with in addition to Barbie. We are busy remaking extensive wardrobe collections. To display the full wardrobe and do it justice we have had to rescue many Crissy and Velvets. See our newest outfits
and "Tail" restoration pictures on their own page.

Go To See our Crissy's....

 

Ginny Has a New Life

This 1957 BKW Ginny was found with no clothes and frizzy hair in an antique store. We are currently nuts about her. Look for more outfits soon as we ordered some patterns for her new duds. She has a new wardrobe box as well.


Cleaned Up Ginny